Captain America: Civil War” picks up where “Avengers: Age of Ultron” left off, as Steve Rogers leads the new team of Avengers in their continued efforts to safeguard humanity. After another international incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability and a governing body to determine when to enlist the services of the team. The new status quo fractures the Avengers while they try to protect the world from a new and nefarious villain.

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Rick is a slave to the Hollywood system. He is addicted to success but simultaneously despairs at the emptiness of his life. He is at home in a world of illusions but seeks real life. Like the tarot card of the title, Rick is easily bored and needs outside stimulation. But the Knight of Cups is also an artist, a romantic and an adventurer. In Terrence Malick’s seventh film a gliding camera once again accompanies a tormented hero on his search for meaning. Once again a voiceover is laid over images which also seek their own authenticity. And once again Malick seems to put the world out of joint. His symphonic flow of images contrasts cold, functional architecture with the ageless beauty of nature. Rick’s internal monologue coalesces with the voices of the women who cross his path, women who represent different principles in life: while one lives in the real world, the other embodies beauty and sensuality. Which path will Rick choose? In the city of angels and the desert that surrounds it, will he find his own way?

This winter, Bill Murray brings an extra-special dose of holiday cheer to Netflix with the premiere of an all-star musically-driven holiday special, A Very Murray Christmas. Set inside New York City’s iconic Carlyle hotel, A Very Murray Christmas opens with Murray preparing to host a live, international holiday broadcast. After a blizzard shuts down the production, he makes the best of the situation by singing and celebrating with friends, hotel employees and anyone else who drops by.

Over the past several years we’ve been making tons (thousands) of videos and documentaries for you, devoted to the topics and the subjects that you find most important, weird, or just plain funny.
Today we are thrilled to announce our latest venture – VICELAND – a 24-hour cable channel featuring hundreds of hours of new programming. We’ve been shooting and cutting for months, and we can’t wait to share with you our vision of what television should look like. The new shows are awesome. When we started making them, collaborating with our friends in the extended VICE family, we really didn’t know how they would come together to create a TV channel. But when we saw what we had, we knew we were on to something really special.

Spike Jonze has been working with us on the new channel and he said it best: “It feels like most channels are just a collection of shows. We wanted VICELAND to be different, to feel like everything on there has a reason to exist and a strong point of view. Our mission with the channel is not that different from what our mission is as a company: It’s us trying to understand the world we live in by producing pieces about things we’re curious about, or confused about, or that we think are funny.”


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