Captain Marvel. Trailer. Brie Larson. Jude Law. Ben Mendelsohn. Djimon Hounsou. Lee Pace. Clark Gregg.

Directed by Anna Boden and Ryan Fleck, Captain Marvel sidesteps the traditional origin-story template, and when it begins, Carol already has her powers. She’s left her earthly life behind to join an elite Kree military team called Starforce, led by Jude Law’s enigmatic commander. But before long, Carol finds herself back on Earth with new questions about her past. And she’s got a formidable enemy in the form of the Skrulls — the notorious Marvel baddies made all the more dangerous by their shape-shifting abilities. Ben Mendelsohn plays their leader Talos, who spearheads a Skrull invasion of Earth.

Bird Box. Trailer. Sandra Bullock. Trevante Rhodes. Jacki Weaver. Rosa Salazar. Danielle Macdonald. Lil Rel Howery. Tom Hollander. Colson Baker. BD Wong. Sarah Paulson. John Malkovich.

When a mysterious force decimates the world’s population, only one thing is certain: if you see it, you take your life. Facing the unknown, Malorie finds love, hope and a new beginning only for it to unravel. Now she must flee with her two children down a treacherous river to the one place left that may offer sanctuary. But to survive, they’ll have to undertake the perilous two-day journey blindfolded.

MURAKAMI & ABLOH. AMERICA TOO. Takashi Murakami. Virgil Abloh. Gagosian.

There is a zone of supremacy in the art world and there is a sense that fine art is the most precious and has the highest status. My collaboration with Virgil is trying to create something that is completely outside of that framework.
—Takashi Murakami

Satire and irony are looming themes that are part of our now. Our dialogue is not so much embedded in the art; it’s embedded in the atmosphere that we’re creating.
—Virgil Abloh

Gagosian is pleased to present new works by Takashi Murakami and Virgil Abloh, following future history at Gagosian London, and “TECHNICOLOR 2” at Gagosian Paris.

Murakami and Abloh have created an art, media, and production collaboration in layered paintings, large-scale sculptures, and the merging of their respective trademarks and brand names. Multihyphenate cult figures in their fields, they push against the parameters of fashion, art, and popular culture, provocatively blurring the lines between them.

In his protean oeuvre, Murakami draws from sources as diverse as classical Japanese painting, otaku subculture, Western art theory, Hollywood cinema, and hip-hop. His expansive art production spills over into fashion, film, and commercial commodities both luxurious and inexpensive, eschewing entrenched divisions between high art and popular culture.

Abloh, trained as an architect and engineer, works across fashion, architecture, performance, and consumer products, often deconstructing the creative process in public to challenge and analyze existing aesthetic systems and their distribution. His street-couture label Off-White, which he founded in 2013, combines conventional tailoring with more subversive references, while his role as the artistic director of Louis Vuitton’s menswear places his current design work in dialogue with Murakami’s celebrated collaborations with Vuitton, beginning in 2002.

For “AMERICA TOO” Murakami and Abloh have produced works in which their respective styles and trademarks intersect in a stream of freewheeling, punkish mash-ups. The two artists, kindred spirits from different sectors of a broader cultural zone, reflect incisively on the signs of the current times while working to disrupt the stratifications of cultural production.

A series of new paintings borrows motifs from both Murakami’s and Abloh’s individual work histories and combines them with art-historical imagery. The signature arrows of Abloh’s label Off-White are overlaid onto Murakami’s iconic rainbow flower, stenciled canvases in gradations of color, and images of Mr. DOB, the whimsical character that became Murakami’s first signature creation inspired by anime and manga characters. Bernini’s Self-Portrait as a Young Man (1623) dissolves in a psychedelic swirl of color, in which traces of Mr. DOB transform the youthful silhouette of the Baroque artist. A series of sculptures that are composites of each artist’s trademark becomes oversize, glossy, and almost threateningly sanguine. Human-scale plastic iterations of the flower and arrows repeat, this time in three-dimensional media.

High Life. Trailer. Robert Pattinson. Juliette Binoche. Mia Goth. Andre Benjamin. Lars Eidinger. Agata Buzek. Ewan Mitchell. Jessie Ross. Claire Tran. Gloria Obianyo.

Deep space. Beyond our solar system. Monte and his infant daughter Willow live together aboard a spacecraft, in complete isolation. A solitary man, whose strict self-discipline is a protection against desire –his own and that of others– Monte fathered the girl against his will. His sperm was used to inseminate Boyse, the young woman who gave birth to her. They were members of a crew of prisoners: space convicts, death row inmates. Guinea pigs sent on a mission to the black hole closest to Earth. Now only Monte and Willow remain. And Monte is changed. Through his daughter, for the first time, he experiences the birth of an all-powerful love. Willow grows, becoming a young girl, then a young woman.

Glass. Trailer. Bruce Willis. James McAvoy. Samuel L. Jackson. Anya Taylor-Joy. Charlayne Woodard. Sarah Paulson.

M. Night Shyamalan brings together the narratives of two of his standout originals—2000’s Unbreakable and 2016’s Split in one explosive, all-new comic-book thriller: Glass. From Unbreakable, Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. Joining from Split are James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.

Ben Is Back. Trailer. Julia Roberts. Lucas Hedges. Courtney B. Vance.

19 year-old Ben Burns [Lucas Hedges] unexpectedly returns home to his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly [Julia Roberts], is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed, and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.

Shoplifters. Trailer. Kirin Kiki. Lily Franky. Sôsuke Ikematsu.

After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.

Aquaman. Trailer. Jason Momoa. Amber Heard. Willem Dafoe. Temuera Morrison. Dolph Lundgren. Yahya Abdul-Mateen. Patrick Wilson. Nicole Kidman.

From Warner Brothers Pictures and director James Wan comes an action-packed adventure that spans the vast, visually breathtaking underwater world of the seven seas, “Aquaman,” starring Jason Momoa in the title role. The film reveals the origin story of half-human, half-Atlantean Arthur Curry and takes him on the journey of his lifetime—one that will not only force him to face who he really is, but to discover if he is worthy of who he was born to be…a king.

Rocketman. Teaser Trailer. Taron Egerton. Jamie Bell. Richard Madden. Bryce Dallas Howard.

The story of Elton John’s life, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin. #Rocketman is an epic musical fantasy about the uncensored human story of Sir Elton John’s breakthrough years.

If Beale Street Could Talk. Trailer. KiKi Layne. Stephan James. Regina King.

A woman in Harlem desperately scrambles to prove her fiancé innocent of a crime while carrying their first child.

Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions–affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.