Tag Archives: James Corden

Peter Rabbit. Trailer. Domhnall Gleeson. Rose Byrne. James Corden.

In Peter Rabbit, the mischievous and adventurous hero who has captivated generations of readers now takes on the starring role of his own contemporary comedy. In the film, Peter’s feud with Mr. McGregor [Domhnall Gleeson] escalates to greater heights than ever before as their fight to gain control of McGregor’s coveted vegetable garden and the affections of the warm-hearted animal lover who lives next door (Rose Byrne) extends to the Lake District and London. James Corden voices the character of Peter with playful spirit and wild charm, with Margot Robbie, Elizabeth Debicki, and Daisy Ridley performing the voice roles of the triplets, Flopsy, Mopsy, and Cottontail.

Kill Your Friends. Trailer. Nicholas Hoult.

London, 1997; the British music industry is on a winning streak. Britpop bands Blur, Oasis, Radiohead rule the airwaves and Cool Britannia is in full swing. 27-year-old hit chasing A&R man Steven Stelfox is slashing and burning his way through the music business, a world where careers are made and broken by chance and the fickle tastes of the general public. In an industry of dream-makers, Stelfox refuses to buy into the ‘dream’ – and despises anyone that does. Fueled by greed, ambition and inhuman quantities of drugs, Stelfox searches for his next hit record amid a relentless orgy of self-gratification. Created by an industry that demands success at any price, Stelfox takes the concept of ‘killer tunes’ to a murderous new level in a desperate attempt to salvage his career. Balanced against the backdrop of the music business and its characters, Stelfox is the ultimate anti-hero: chronically sexist, racist, and everything else-ist.

Kill Your Friends. Trailer. Nicholas Hoult.

London, 1997; the British music industry is on a winning streak. Britpop bands Blur, Oasis, Radiohead rule the airwaves and Cool Britannia is in full swing. 27-year-old hit chasing A&R man Steven Stelfox is slashing and burning his way through the music business, a world where careers are made and broken by chance and the fickle tastes of the general public. In an industry of dream-makers, Stelfox refuses to buy into the ‘dream’ – and despises anyone that does. Fueled by greed, ambition and inhuman quantities of drugs, Stelfox searches for his next hit record amid a relentless orgy of self-gratification. Created by an industry that demands success at any price, Stelfox takes the concept of ‘killer tunes’ to a murderous new level in a desperate attempt to salvage his career. Balanced against the backdrop of the music business and its characters, Stelfox is the ultimate anti-hero: chronically sexist, racist, and everything else-ist.