London, 1997; the British music industry is on a winning streak. Britpop bands Blur, Oasis, Radiohead rule the airwaves and Cool Britannia is in full swing. 27-year-old hit chasing A&R man Steven Stelfox is slashing and burning his way through the music business, a world where careers are made and broken by chance and the fickle tastes of the general public. In an industry of dream-makers, Stelfox refuses to buy into the ‘dream’ – and despises anyone that does. Fueled by greed, ambition and inhuman quantities of drugs, Stelfox searches for his next hit record amid a relentless orgy of self-gratification. Created by an industry that demands success at any price, Stelfox takes the concept of ‘killer tunes’ to a murderous new level in a desperate attempt to salvage his career. Balanced against the backdrop of the music business and its characters, Stelfox is the ultimate anti-hero: chronically sexist, racist, and everything else-ist.
Following the critically acclaimed global smash hit X-Men: Days of Future Past, director Bryan Singer returns with X-MEN: APOCALYPSE. Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel’s X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto [Michael Fassbender], to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven [Jennifer Lawrence] with the help of Professor X [James McAvoy] must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction.
London, 1997; the British music industry is on a winning streak. Britpop bands Blur, Oasis, Radiohead rule the airwaves and Cool Britannia is in full swing. 27-year-old hit chasing A&R man Steven Stelfox is slashing and burning his way through the music business, a world where careers are made and broken by chance and the fickle tastes of the general public. In an industry of dream-makers, Stelfox refuses to buy into the ‘dream’ – and despises anyone that does. Fueled by greed, ambition and inhuman quantities of drugs, Stelfox searches for his next hit record amid a relentless orgy of self-gratification. Created by an industry that demands success at any price, Stelfox takes the concept of ‘killer tunes’ to a murderous new level in a desperate attempt to salvage his career. Balanced against the backdrop of the music business and its characters, Stelfox is the ultimate anti-hero: chronically sexist, racist, and everything else-ist.
Haunted by his turbulent past — Mad Max believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with a group fleeing across the Wasteland in a War Rig driven by an elite Imperator — Furiosa. They are escaping a Citadel tyrannized by the Immortan Joe — from whom something irreplaceable has been taken. Enraged, the Warlord marshals all his gangs and pursues the rebels ruthlessly in the high-octane Road War that follows.
The Young Ones film is set in a near future when water has become the most precious and dwindling resource on the planet, one that dictates everything from the macro of political policy to the detailed micro of interpersonal family and romantic relationships. The land has withered into something wretched. The dust has settled on a lonely, barren planet. The hardened survivors of the loss of Earth’s precious resources scrape and struggle. Ernest Holm [Michael Shannon] lives on this harsh frontier with his children, Jerome [Kodi Smit McPhee] and Mary [Elle Fanning]. He defends his farm from bandits, works the supply routes, and hopes to rejuvenate the soil. But Mary’s boyfriend, Flem Lever [Nicholas Hoult], has grander designs. He wants Ernest’s land for himself, and will go to any length to get it.
A apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There’s Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.
Reserve Result. 